[PDF] We Are Imazighen: The Development of Algerian Berber Identity in Twentieth-Century Literature and Culture

ISBN: 0813049393

Category: Tutorial


Posted on 2017-04-08, by luongquocchinh.

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Author: Fazia Aitel | Publisher: University Press of Florida | Category: Sociology | Language: English | Page: 324 | ISBN: 0813049393 | ISBN13: 9780813049397 |

Description: A unique account of the rise of the Berber cultural identity, in particular of the Kabyles of Algeria, in modern times. Luminaries such as Amrouche, Feraoun, Matoub, and Fars are impressively brought back to life.Abdourahman A. Waberi, author of Passage of Tears An insightful and important addition to the field of postcolonial French studies, tracing the development of Berber consciousness in the 1930s to the events of the Arab Spring.Patricia Geesey, University of North Florida A sensitive account of the paradoxical effects of colonialism and its aftermath on the formerly colonized. It is a must-read for anthropologists, literary scholars, and historians of the period.Vincent Crapanzano, author of The Harkis An intimate and forceful inquiry into the Berber cultural movement and the conditions of postcoloniality more generally. Incorporating literature and music, history and politics, We Are Imazighen brings the cultural life of the Kabyle people to an English-speaking audience with grace and passion.David Crawford, author of Moroccan Households in the World Economy Provides a framework for analyzing literary and oral material rooted in Berber culture and expressing an alternative way of conceptualizing identity.Mildred Mortimer, author of Writing from the Hearth To the world they are known as Berbers, but they prefer to call themselves Imazighen, or free people. The claim to this unique cultural identity has been felt most acutely in Algeria in the Kabylia region, where an Amazigh consciousness gradually emerged after WWII. By tracing the cultural production of the Kabyle peopletheir songs, oral traditions, and literaturefrom the early 1930s through the end of the twentieth century, Fazia Atel shows how they have defined their own culture over time. Ultimately, she argues that the Amazigh literary tradition is founded on dual priorities: the desire to foster a genuine dialogue while retaining a unique culture.

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