Truth: A History and a Guide for the Perplexed
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Felipe Fernandez-Armesto, "Truth: A History and a Guide for the Perplexed"
Thomas Dunne Books | November 23, 1999 | ISBN: 0312242530 | siPDF | 256 pages | 3.1 MB
Thomas Dunne Books | November 23, 1999 | ISBN: 0312242530 | siPDF | 256 pages | 3.1 MB
"Fernandez-Armesto shows how - at different times, in different societies - people have tried to distinguish truth from falsehood; he also exposes the basic human assumptions about truth that have informed and determined these truth-telling strategies. All truth-finding can be reduced, he argues, to a few basic types, which have always been available, but which have been combined in varying proportions. These types are still useful. They can help us survive contemporary uncertainty and rebuild life after doubt."
Amazon.com Review
The pursuit of truth, says Felipe Fernández-Armesto, is "the quest for language that can match reality." He believes that the nature of that quest has never quite been fully understood; Truth aims to fill the void. He identifies four key methods of determining the truth--what we feel, what we are told, what we figure out, and what we observe--which are given poetic names such as "the hairy ball--teeth optional" and "the cage of wild birds." These four methods always exist together in every culture, although each one may be differently valued in different places at different times.
But Western philosophy after Descartes, in Fernández-Armesto's assessment, has been largely hostile to these ways of knowledge, and has steadily come to question the very existence of truth. His summation of post-Cartesian philosophy is a largely negative one, which veers dangerously close to ad hominem assaults. Nietzsche, for example, who "was praised too much in his youth for his superior powers of mind and never achieved prowess or position to match," is dismissed as "a sexually inexperienced invalid" whose philosophy was "warped and mangled out of his own lonely, sickly self-hatred." Pragmatism and existentialism, two of the 20th century's most important philosophical movements, are found inadequate; the former is "the philosophy of lovers of technology," while the latter "represents the retreat of Luddites and pessimists into the security of self-contemplation." But even though "philosophical subjectivisms, scientific uncertainties, and dumbing, numbing linguistics" have served to undermine the notion of truth, Fernández-Armesto believes, they cannot destroy it thoroughly. It seems that even in the face of relativism, truth will win out.
From Publishers Weekly
An idiosyncratic exploration of "the quest for language that can match reality," Oxford historian Fernández-Armesto's essay is a highly personal stroll through human history and various cultures' notions of truth. Fernández-Armesto (Millennium, etc.) examines four distinct approaches to truth --"the truth you feel," "the truth you are told," "the truth of reason" and sense perception--in separate chapters. His goal, he reveals in a preface, is to rescue discussions about truth from the polarizing dead-ends of absolutism and relativism, "to reassure readers that the search for truth is still on and leave relativists and fundamentalists where they belong--on the margins of history." His book is far too anecdotal and unsystematic to achieve that stated goal, but it nevertheless makes for provocative, often illuminating reading, particularly since he includes Chinese, Indian, Polynesian and other traditions in his excavation of how different cultures in different times apprehended the idea of truth. Writing with an interdisciplinarian's lack of, well, discipline, he stumbles badly on such topics as pragmatism, quantum mechanics, chaos theory and Godel's Incompleteness Theorem, repeating or even adding to common misperceptions, rather than dispelling them. Yet he also writes with the confidence and clarity--neither of which is to be confused with accuracy or depth--of a top-notch lecturer. In the end, what he has to say about how language cannot be conceived as separate from the world it tries to describe is not just an interesting philosophical comment but also a moving perspective on what happens whenever one person speaks to another.
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