Jean-Luc Nancy, Kiarostami Abbas: The Evidence of Film

Description

What Nancy aims to achieve, therefore, is to define a new essence or form of film that has always been there but only appears now for itself in Kiarostami's work. The central idea of this new essence is that cinema is fundamentally an art of looking at the world. To develop this unsurprising statement into an innovative path for film theory, Nancy uses two concepts. One is the concept of gaze or way of looking ('regard' in French); the other is a conception of the world. These two concepts are inextricably linked since the definition of film, as an art of looking is only made possible through the understanding of how Nancy conceives the world. And the latter is at the heart of Nancy's innovative purpose.

Trilingual text in French, English, and Persian

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